Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.
Francisco de Zurbaran 1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
Francisco de Zurbaran Saint Francis of Assisi c1650/60
Painting ID:: 706
X
Francisco de Zurbaran The Adoration of the Shepherds_a 1638-39
Musee des Beaux Arts, Grenoble
Painting ID:: 708
X
Francisco de Zurbaran Still Life with Oranges and Lemons 1633
Norton Simon Museum of Art, Pasadena, California, USA
Painting ID:: 727
X
Francisco de Zurbaran The Lying in State of St.Bonaventura 1629
Musee du Louvre, Paris
Painting ID:: 50604
X
Francisco de Zurbaran The Virgin Mary and Christ mk213
Oil on canvas
Painting ID:: 20569
X
Francisco de Zurbaran St Apollonia (mk05) Canvas,53 x 26 1/2''(134 x 67 cm)Acquired in 1867 from the heirs of Marshal Soult
Painting ID:: 20571
X
Francisco de Zurbaran The Lying-in-State of St Bonaventure (mk05) Canvas,96 1/2 x 94 1/2''(245 x 240 cm)Acquired in 1858 from the heirs of Marshal Soult
Painting ID:: 21622
X
Francisco de Zurbaran The Death of St Bonaventura (mk08) 1629
Oil on canvas,
245x220cm
Paris,Musee National du Louvre
Painting ID:: 21629
X
Francisco de Zurbaran St Hugo of Grenoble in the Carthusian Refectory (mk08) c.1633
Oil on canvas.
102x168cm
Sevilla,Museo de Beallad Artes
Painting ID:: 21630
X
Francisco de Zurbaran St Margaret (mk08) c.1630-1635
Oil on canvas
192x112cm
London,National Gallery
Painting ID:: 21631
X
Francisco de Zurbaran The Ecstacy of St Francis (mk08) c.1660
Oil on canvas,
65x53com
Munich,Bayerische Staatsgemalde-sammlungen,
Alte Pinakothek
Painting ID:: 21632
X
Francisco de Zurbaran Still Life with Lemons,Oranges and Rose (mk08) 1633
Oil on canvas,
60x107cm
Pasadena,Norton Simon Museum of Art
Painting ID:: 23543
X
Francisco de Zurbaran Saint Francis of Assisi (nn03) c 1650/60 Oil on canvas 209 x 110 cm
82 x 43 in Museu Nacional d'Art de Catalunya Barcelona
Painting ID:: 28115
X
Francisco de Zurbaran The Defense of Cadiz Against the English mk61
1634
Oil on canvas
302x323cm
Painting ID:: 28116
X
Francisco de Zurbaran Still Life with Pottery mk61
Oil on canvas
46x84cm
Painting ID:: 28544
X
Francisco de Zurbaran Our Lady of the Immaculate Conception mk61
c.1628-1630
Oil on canvas
139x104cm
Painting ID:: 28545
X
Francisco de Zurbaran St.Elizabeth of Portugal mk61
Oil on canvas
184x90cm
Painting ID:: 28903
X
Francisco de Zurbaran St.Anthony Abbot mk65
Oil on canvas
63 3/4x47 1/4in
Painting ID:: 29129
X
Francisco de Zurbaran The Girlhood of the Virgin mk65
ca.1660
Oil on canvas
29x21"
Painting ID:: 29181
X
Francisco de Zurbaran Crucifixion mk65
1650s
Oil on canvas
104x38'
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
